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Grateful Dead Live at Shrine Auditorium on 1978-01-11




Disc One
Set 1:
d1t01 - Tuning
d1t02 - New Minglewood Blues
d1t03 - Dire Wolf
d1t04 - Looks Like Rain
d1t05 - They Love Each Other
d1t06 - Big River ->
d1t07 - El Paso
d1t08 - Brown Eyed Women
d1t09 - Let It Grow

Disc Two
Set 2:
d2t01 - Tuning
d2t02 - Samson And Delilah
d2t03 - Sunrise
d2t04 - Tuning
d2t05 - Terrapin Station ->
d2t06 - Playing In The Band ->
d2t07 - Jam ->
d2t08 - Drums -> Space ->

Disc Three (Set 2 cont)
d3t01 - Saint Stephen ->
d3t02 - Not Fade Away->
d3t03 - Jam ->
d3t04 - Playing Reprise
~encore~
d3t05 - Passenger


Collection GratefulDead
Band/Artist Grateful Dead
Venue Shrine Auditorium
Location Los Angeles, CA

Source Analog Audience Source: FOB Master Cassettes (MAC) Analog Soundboard Source: Master Soundboard Cassette (MSC)
Lineage Medium Stock Brands: MAC = 2 x Maxell UDXL-II Analog Lineage: 2 x AKG D224E >> Sony TC-158SD  >> MAC Analog Sound Preservation: MAC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96] Soundboard Lineage: SBD >> MSC (dolby C) Soundboard Sound Preservation: MSC >> Nakamichi CR7a => Korg MR-1000 >> DSF [1-bit 5.6448 MHz Stereo] >> Korg MR-1000 => Korg AudioGate >> WAV [24/96]
Taped by Rheinhart Holwein
Transferred by Transfer By: Bob Menke Mastering By: Derek McCabe Matrix By: Derek McCabe

Notes

The sbd source is new to circulation and is a master.

Reviews

Reviewer: gvtmule - - January 12, 2012
Subject: A favorite
One of my earliest tapes and still a favorite. This is a nice upgrade although at times it has a bit of that echo-y feel you sometimes get with a matrix. I personally prefer these compact rocking shows to the endurance tests they were doing in 73-74. Let It Grow is a highlight, almost fusionish. Every song is solid and the 2nd set just flows so smooth. This show has a nice distinct sound - the toms and cymbals, cowbell way up in the mix, the slightly distorted keyboard, Jerry's hoarse vocals. I love the guitar tones both Jerry and Bob dial in and the way they mesh. Note Bob's guitar is way out of tune when they break into Playin'. It doesn't matter - from that point on this show smokes. Passenger is such an awesome encore, why didn't they do it more?
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=15076) SBD>MC>DAT>CDR; Via Paul G; Seeded by T. Wiley + AUD (shn id 90976) taper: Joe D'Amico nak 300 mics w/cp4 shotguns > sony d-5 nak dragon tape deck > sony sbm1 > creative extigy soundcard > cool edit pro > flac frontend - dts mixing by Kevin Tobin
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Source: OTS AUD: Nakamichi CM300/CP4 shotguns > patched thru one D5 > Sony TC-D5M > Fuji FR-Metal 90's, with no Dolby.
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Source: nak 300/cp4 (@ board, 12') > tcd5m (tdk mar 90 +dolby)
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Source: Nakamichi 300 Shotguns CP4's & Sony TCD5M
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Source: lineage: sennheiser 421 (fob)> d-5> d-5> sony tc we435> sony pcm m-10 24bit/96khz> soundforge> cdwave> traders little helper encoding option 8; conversion rate: 96000/24 bit
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=110519) Recording Info: SBD -> Master Dat (48k); Transfer Info: Master Dat (Sony R500) -> Tascam SS-R05 -> Samplitude Professional v11.1 -> FLAC; Transfers and Mastering By Charlie Miller + AUD (shn id 91996) Sennheiser ME-80's>Technics SV-MD1
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Source: First Generation Cassettes From Unknown Mics/Deck>Unknown Original Copy Decks/Info; Tapes From White,Transfer By Keo; Tapes Maxell XLII Gold 90's; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Master Audience Recorded By Mr. Darby; AKGC451EB/CK1's (DIN/Section 3 Row 49 Seat 1/6 Feet High)> Whirlwind Phantoms>Sony TC-D5M,Tapes Set 1:Maxell MX-S,Set 2:Denon MG-X; Transfer Information:Tascam 112 MKII (XLR Out)> Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Marantz Superscope CD320/Maxell UDXLII) Cassette Master (Nakamichi DR-1) > Korg MR-1000 (1-bit/5.6MHz) > Audiogate (1-bit/5.6MHz > 24-bit/96KHz) > Soundforge 9.0 (edits) Tape flip in drums at 5:35 spliced using Soundforge 9.0. Recorded FOB from Section 63, Row J, Seat 12 by Bob Morris.
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Source: Neumann KM-150's > Sony TC-D5M > Maxell XL-IIS tape, with Dolby on. FOB recording, mics on stand, aprx 5-feet high.